Day four of riding through the Huadong Valley of eastern Taiwan in 2018 began in Yuli, the midpoint of this bicycle trip from Hualien City to Taitung City. From the weather report I knew I’d have another challenging ride ahead—yet again the mercury was due to exceed 35 degrees. Luckily I was in no great rush, as I had allocated an entire week for a trip that experienced riders could easily manage in two days. I made good use of that extra time, making numerous stops and detours to document some of the many historic and cultural sites along the way, many of them quite obscure. I ended the day in Guanshan, slightly more than 40 kilometers down the valley.

Cídé Temple 慈德宮 (also romanized as Tzude Temple) is an unusual manifestation of Taiwanese folk religion situated on a hillside overlooking the historic town of Caotun in northwestern Nantou, Taiwan. Constructed in 1984, it was inspired by the recurring dreams of a local fruit farmer, Zhāng Wénqǐ (張文杞), and funded by generous donations from the community. The main hall of the temple takes the form of a bottle gourd (葫蘆) laying on its side, and the entrance is covered by a conical bamboo farmer’s hat (斗笠). These features give the temple its peculiar shape, but they were not chosen at random; the design is inspired by ancient Chinese mythology, albeit with an idiosyncratic twist.

Zhushan (literally “Bamboo Mountain”) is a historic yet obscure township in southwestern Nantou mainly known for cultivating tea and bamboo. The town itself is one of the oldest in central Taiwan but it hardly feels that way. Many of Zhushan’s most historic structures were destroyed or damaged beyond repair in the devastating 921 Earthquake that struck in 1999, which is why its “old street” is lined with modern buildings. Most travellers pass through Zhushan on the way to attractions deeper into the rugged interior of Taiwan without sparing it a second glance—but I stopped for a closer look in the summer of 2017 while on an impromptu road trip. After staying the night in a sleazy love motel never meant for sleep (there was no way to switch off the lights) I wandered around in the morning haze, capturing traces of Zhushan’s history as it disappears into memory.

In May 2018 I embarked on a multi-day bicycle trip along the majestic Huādōng Valley (花東縱谷) of Taiwan from Hualien City to Taitung City. Although I had previously cycled parts of this valley during my full tour of the island in 2013 I did so without really knowing what was there—and after five years I amassed quite a collection of notes about places I was interested in seeing up close. Several themes emerged while preparing for this trip: old standalone movie theaters, of which I had located more than a dozen; derelict railway infrastructure including stations, military checkpoints, and abandoned lines; and relics of the Japanese colonial era, particularly former Shinto shrines. This post documents my first day of riding, which only began in the late afternoon after arriving by rail at Hualien Station. I had shipped my bike ahead so all I had to do was pick it up from the baggage room, throw the panniers on, and start riding.

Zhōnghuá Theater (中華大戲院) is an impressive KMT authoritarian era ruin in Guanshan, a small town of approximately 8,800 in the idyllic Huadong Valley of Taiwan. With seating for 1,200 patrons it was the largest theater in Taitung when it opened in 1965, and it soon earned the title “northern tyrant” (běibàtiān 北霸天) for dominating the cinema industry at this end of the county. What explains the existence of such a huge theater in this remote, sparsely populated place? As with the more modest and folksy Wǔzhōu Theater (五洲戲院) in neighbouring Chishang, a closer examination of regional socioeconomic history provides answers.

Cholon is a historic Chinatown west of old Saigon in Ho Chi Minh City, Vietnam. I visited the area on three occasions in 2017, intent on wandering around and capturing some pictures from the streets. Previously I published an extensive report on the Chinese temples of Cholon, including some detail about the history and demographics of the area, so I won’t repeat myself in this post. Instead, I’ll let the photos do the talking this time around…

The former Baekje Hospital is a heritage building in Busan, the second largest city in South Korea. Built in 1922 by Choi Yong-hae, a Korean living in Japan, it is located in Choryang, Busan’s historic Chinatown. It was the first private hospital in the city but only remained in business for about a decade before the building was repurposed. Over the years the former hospital has been used as army barracks, police station, Chinese restaurant, wedding hall, and more. This was even the home of a consulate for the Republic of China (now generally known as Taiwan) at some point, probably long before diplomatic recognition ended in 1992.

Ershui is a rural township located in the southeastern corner of Changhua, bordering Yunlin and Nantou. Ershui Station 二水車站, constructed in 1935, is the primary point of transfer between the Main Line 縱貫線 of the Taiwan Railway Administration (TRA) and the Jiji Line 集集線, a tourist railway leading into the interior. Ershui, which literally means “two water”, is named after the Bābǎo Canal 八堡圳, an extensive system of artificial waterways still responsible for irrigating much of the Changhua Plain 彰化平原 three centuries after it was devised. During the Japanese colonial era this small town prospered as a center of woodworking while farmers in the countryside cultivated bananas, grapes, guava, and tobacco, among other crops. Nowadays it is mainly known as a sleepy stopover on the way to parts beyond—but a closer look will reveal several points of interest for anyone curious about Taiwanese history, architecture, and vintage style.

Xiluo is a small historic town on the south bank of the Zhuóshuǐ River 濁水溪 in Yunlin. It emerged as an important center of trade in central Taiwan during the Qing dynasty era and continued to prosper into the early 20th century under Japanese colonial rule. Disaster struck in 1935 when the devastating Hsinchu-Taichung Earthquake ripped through north-central Taiwan, reducing much of Xiluo to rubble. Colonial authorities and the local gentry worked together to rebuild, taking the opportunity to completely remodel the main commercial thoroughfares with an intriguing blend of influences from Baroque Revival, Art Deco, and Modernist architecture. A short stroll down Yánpíng Old Street 延平老街 reveals that many of these unique shophouses and commercial buildings remain standing today.

Beigang Theater (北港劇場) in Beigang, Yunlin, is among the finest and most well-preserved of Taiwan’s remaining Japanese colonial era theaters. Built in 1937 with investment from a local businessman by the name of Tsai Yu-Hu (蔡裕斛), this three storey theater featured a revolving stage, seating for 800 guests, and simple western-style facade with a trace of the Baroque Revival architecture popular at the time. It was not only a cinema—Taiwanese opera, glove puppet shows, musical concerts, wedding banquets, and other events were also held inside. The theater went out of business in 1988 and was converted for use as a department store and restaurant for some time thereafter. Nowadays it is apparently still in use as a pool hall and, inexplicably, a kidney dialysis center, but I saw no evidence of this when I visited in the summer of 2017.