Turning fiber into yarn, cloth, and finished garments, the textile industry was the first great engine of Taiwan’s post-war export-led industrialization. It took shape in the 1950s on a foundation of USAID cotton and a state buying policy that supplied the mills with raw material and guaranteed their output. Currency reform tilted incentives toward exporting by the end of the decade and the labour-intensive and largely female workforce made textiles one of the Taiwan’s leading earner of foreign exchange, accounting for over 30% of all exports at its peak in the early 1970s. Production clustered in factory towns consisting of sprawling textile complexes and worker dormitories, particularly in Tainan and Yilan.

From the mid-1980s a rising currency, climbing wages, labour shortages, and export quotas eroded that advantage, and once overseas investment was permitted in 1987 the commodity end of the trade moved offshore, first to Southeast Asia and then to China. What stayed behind moved upmarket into high-value synthetic and functional textiles: the technical performance fabrics featured in a significant fraction of the world’s premium sportswear.

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Sources

  • Gary Gereffi & Mei-Lin Pan, The Globalization of Taiwan's Garment Industry, Temple University Press, 1994, pp. 126–146

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Zhongxing Textile Miaoli Mill(中興紡織廠股份有限公司苗栗紡織廠)

Xinfuxing Textile Mill(新復興紡織廠)

Tainan Dongshan Theater(台南東山戲院)

Jiaoxi Theater(礁溪戲院)

Lize Theater(利澤戲院)

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Luodong Joint Forces Garment Factory (羅東聯勤被服廠), Rende Textile Mill (仁德紡織廠), Formosa Chemicals & Fibre Company Yilan Plant (臺灣化學纖維股份有限公司宜蘭廠), Lucao Jinshan Theater (鹿草金山戲院), Chia Mei Textile Mill (佳美織造股份有限公司), Guanxi Dongtai Theater (關西東泰戲院), Nanzhuang Shishan Theater (南庄獅山戲院), Tainan Spinning Houjia Mill (臺南紡織股份有限公司後甲廠), Qiaofang Textile Mill (巧紡織工廠), Xiaying Daxin Theater (下營大新戲院), Youlian Textile Mill (友聯紡織廠), and Tainan Spinning Rende Mill (臺南紡織股份有限公司仁德廠).

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