I chanced upon Fanjiang Ancestral Hall 范姜祖堂 while out for a bicycle ride around Taoyuan in late October 2015. That morning I set out from my place in Zhongli to see more of the countryside and eventually pay a visit to Fugang Old Street 富岡老街 in western Yangmei. Along the way I made a brief diversion into Xinwu to see whatever might be found there—and this cluster of historic Hakka homes were my reward.

Despite living in Changhua City for half a year I never paid much attention to the clothing store across the street from the historic Confucius Temple 彰化孔子廟. At that time my Chinese abilities were rudimentary and I wasn’t really aware of what kinds of buildings to watch for while navigating the variegated urban landscapes of Taiwan. Only after encountering Datong Theater 大同戲院 in Taitung City did I become fascinated by the rise and fall of Taiwanese cinema. Since then I have mapped the locations of more than a hundred vintage theaters and documented many of their fates. Most end up abandoned or destroyed—but Yíngōng Theater 銀宮戲院 earned a new lease on life after it was purchased by NET, a Taiwanese fashion retailer.

Héngwén Temple 衡文宮 is located on the south side of Yuanlin, a mid-sized city in Changhua, Taiwan. Completed in 1976, this temple is mainly notable for its 72 foot-tall statue of Xuán Wǔ 玄武, literally “Dark Warrior”, alternately known as Xuán Dì 玄帝 (“Dark Deity”) or Xuántiān Shàngdì 玄天上帝 (“Dark Heavenly Deity”) among many other names. The statue itself is a hollow structure containing several additional floors filled with murals depicting the origins of Xuan Wu as well as various small shrines. A similarly oversized statue of Xuan Wu can be seen on the famous Lotus Pond 蓮池潭 in Zuoying, Kaohsiung, and there’s probably several more scattered around Taiwan, but this one is apparently the largest of its kind. Such claims are often difficult to verify as pretty much any temple with a big statue is likely to say the same thing.

Xinyi is now one of the most expensive and upscale parts of Taiwan but it hasn’t always been that way. Decades ago it was an undesirable area on the edge of the city with a significant military-industrial presence, traces of which still remain if you know where to look. The open expanse of parks and parking lots around the intersection of Xìn’ān Street (信安街) and Wúxìng Street (吳興街) immediately to the west of Taipei Medical University (臺北醫學大學) is one such trace.

Recently I visited Xinpu, a small Hakka town in the hills of Hsinchu, Taiwan, alongside fellow photographer and blogger Josh Ellis. I was curious to confirm reports of a historic theater along the former Entertainment Street 娛樂街 but the location in my notes was occupied by a construction site. Forging on, we continued down the road and were soon rewarded by the sight of something that I wasn’t expecting: Xīnxīng Theater 新興戲院. In hindsight it wouldn’t be an “entertainment street” without more than one cinema, would it?

Taichung Shark Cemetery (台中鯊魚墳場) is an unlikely roadside attraction near Tunghai University (東海大學) in Xitun, Taichung. There is no great mystery here—a nearby restaurant and banquet hall by the name of Tong Hai Fish Village (東海漁村) dumped a bunch of junk in this farmer’s field sometime prior to 2009, and since then it has become a popular place for young Taiwanese to visit and take photos.

Built in 1887, Huángxī Academy 磺溪書院 is one of dozens of Qing dynasty era schools of classical studies in Taiwan. Located in Dadu, a small town in southwestern Taichung, it provides a window into a time when scholarship was more closely interwoven with spirituality. Apart from classrooms and areas for quiet study the academy also has an altar to the Five Wénchāng 五文昌: Kuí Xīng 魁星, Zhū Xī 朱熹, Guān Yǔ 關羽, Lǚ Dòngbīn 呂洞賓, and, of course, Wénchāng 文昌 himself. Collectively these Taoist gods represent classical Chinese culture and several are commonly venerated by students prior to writing exams. Structurally the academy follows a plan similar to a traditional Taiwanese courtyard home or sanheyuan with the addition of a large gatehouse and pavilion.

Taichung is undergoing a massive transformation as vast tracts of rural-industrial sprawl are cleared to make way for new developments around the high-speed rail station 高鐵台中站 and the future Taichung Metro system, particularly in Beitun, Nantun, and Wuri. Google’s satellite maps are out of sync with the streets, many of which are so new that they appear only as ghostly lines coursing through the former rice paddies. With large parts of the urban periphery slated for wholesale demolition and renewal many grassroots organizations have formed to preserve cultural assets found in these doomed territories—as was the case with the Shuinan Tobacco Barn 水湳菸樓. Today I chanced upon another example: Shuǐduì Jùluò 水碓聚落, a rare 17th century Hakka settlement in Nantun with an ambiguous future.

I stumbled upon the remains of Dawu Theater 大武戲院 while on a bicycle tour of southern Taiwan in 2015. Located in the small town of Dawu, it was one of approximately 36 theaters operating in Taitung in the cinematic heyday of the 1960s and 70s, all of which are now abandoned or destroyed. This particular theater was in business from 1968 to 1983 and allegedly accommodated as many as 1,200 patrons, earning it the title of nánbàtiān 南霸天, or “southern tyrant”, for how it dominated the industry in the southernmost part of the county. Hardly anything remains after three decades of exposure that would identify Dawu Theater apart from a small sign in the antechamber.

Nga Tsin Wai Village 衙前圍村 is widely known as the last walled village of Kowloon. Located not far from the former location of the infamous Kowloon Walled City 九龍城寨, the village traces its history back to the 1352 founding of its modest Tin Hau Temple 天后宮. It was fortified in 1724 to defend against bandits and pirates but has, in modern times, lost the moat, walls, and watchtowers that once protected residents from harm. As the very last of its kind in the urban heart of Hong Kong it has become a flashpoint for conflict between the Urban Renewal Authority and the many activist groups and citizens passionate about preserving what remains of Kowloon’s cultural heritage.