Jiji Wuchang Temple

Jiji Wuchang Temple

Wǔchāng Temple (武昌宮) is one of many remnants of the devastating 921 Earthquake, which ripped through central Taiwan on September 21st, 1999, toppling tens of thousands of buildings and claiming nearly 2,500 lives. Located in the rural township of Jiji in Nantou, less than five kilometers from the epicenter of the magnitude 7 quake, this temple was destroyed mere months after it was completed. Rather than clear the debris, the damaged structure was left more or less as it was the morning after it collapsed, and a new temple with the same name was built in front. Nowadays this ruined temple is a popular roadside attraction and a prime example of disaster tourism in Taiwan.

The Collapsed Wuchang Temple
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 5.6
Shutter Speed
1/125 sec
Focal Length
18.0 mm
ISO
100
Exposure Value
11.9 EV
The ruins of the collapsed Wuchang Temple in January 2014.

The history of this particular temple stretches back to 1923 but the land it now occupies was not donated until 1990. Construction began shortly thereafter and the temple was consecrated and opened to the public in early 1999. The primary god venerated here is the immortal Xuánwǔ (玄武), literally “dark warrior”, a deity previously described in my post about Héngwén Temple (衡文宮) in nearby Yuanlin. He is commonly depicted subduing a pair of monsters, a turtle and a snake collectively known as the Black Tortoise in English. On my first visit to the site there was a statue of Xuanwu and a wishing well1 in front of the ruined temple; look closely at the god’s feet and you’ll see the snake and turtle.

Left Side of Wuchang Temple
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 5.6
Shutter Speed
1/125 sec
Focal Length
18.0 mm
ISO
110
Exposure Value
11.9 EV
Long Shot of the Left Side of Wuchang Temple
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 5.6
Shutter Speed
1/125 sec
Focal Length
18.0 mm
ISO
140
Exposure Value
11.9 EV
Xuan Wu Wishing Well at Wuchang Temple
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 5.6
Shutter Speed
1/125 sec
Focal Length
18.0 mm
ISO
110
Exposure Value
11.9 EV
Wuchang Temple at an Odd Angle
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 5.6
Shutter Speed
1/125 sec
Focal Length
18.0 mm
ISO
200
Exposure Value
11.9 EV
Disaster Tourism at Wuchang Temple
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 5.6
Shutter Speed
1/125 sec
Focal Length
18.0 mm
ISO
160
Exposure Value
11.9 EV

Since the earthquake struck in the dead of night nobody was harmed in the collapse of the temple—but several gods were trapped inside the main hall. After the collapse a search party was organized to enter the ruins—and the idols were “rescued” and relocated to a temporary structure to await the construction of a new, hopefully more permanent dwelling place.

The idols enshrined in Taiwanese temples are physical manifestations of specific deities, portals through which a god perceives the mortal realm, but they also possess individual qualities and lead lives of their own. These statues aren’t mere hunks of wood and metal—they regularly visit their friends in other temples, watch puppet shows and other more lascivious forms of entertainment, and receive offerings suited to their divine needs and origin stories. And in this instance, three of the most important idols rescued from the ruins of Wuchang Temple subsequently underwent a transformation: their beards grew with each passing year, evidently animated by surviving the disaster. Word spread after this “miracle” was observed and people came from all over Taiwan to pray and donate to the reconstruction project.

Xuan Wu Statue at Wuchang Temple
Date Captured
Camera
NIKON D3100
Lens
AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED [II] or AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED
Aperture
ƒ / 5
Shutter Speed
1/160 sec
Focal Length
80.0 mm
ISO
100
Exposure Value
12.0 EV
The baleful gaze of the dark and mysterious warrior, Xuánwǔ (玄武).
Wuchang Temple Statue
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 10
Shutter Speed
1/400 sec
Focal Length
30.0 mm
ISO
400
Exposure Value
15.3 EV
Wuchang Temple Roofing Detail
Date Captured
Camera
NIKON D3100
Lens
AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED or AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED [II]
Aperture
ƒ / 5
Shutter Speed
1/320 sec
Focal Length
80.0 mm
ISO
100
Exposure Value
13.0 EV
Broken Column at Wuchang Temple
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 4
Shutter Speed
1/60 sec
Focal Length
22.0 mm
ISO
400
Exposure Value
9.9 EV
The New Wuchang Temple
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 11
Shutter Speed
1/500 sec
Focal Length
18.0 mm
ISO
400
Exposure Value
15.9 EV
The newly-opened Wuchang Temple.

Wuchang Temple underwent a dramatic reversal of fortunes in the years after the quake. With donations pouring in, an opulent new temple was erected next to the ruins of the old. I visited the temple twice in 2014, not long after it opened to the public2, and was amused by the carnival atmosphere. LED lights were haphazardly draped across the ruins, presumably to illuminate them after dark, and a huge blow-up rubber duck was installed in the parking lot. As if a collapsed temple wasn’t enough of a draw—they had to jump on the duck mania bandwagon as well3.

Wuchang Temple Reborn
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 11
Shutter Speed
1/500 sec
Focal Length
26.0 mm
ISO
400
Exposure Value
15.9 EV
A closer look at the exterior of the new temple. It is obviously more elegant and refined than the original.
Caishen Shrine at Wuchang Temple
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 4
Shutter Speed
1/60 sec
Focal Length
18.0 mm
ISO
400
Exposure Value
9.9 EV
One of the halls on the side has a small shrine to the God of Wealth.

On the left side of the main hall a small shrine to Cái Shén (財神), the God of Wealth, caught my eye. Stepping inside, you’ll find a large golden sycee (Mandarin Chinese: yuánbǎo 元寶), a traditional Chinese ingot. While making a donation, supplicants rub the top of the ingot, which explains its polished appearance. Whether anyone got rich by praying here is unknown to me—but the temple certainly seems to be doing pretty well.

The Ruins of Wuchang Temple
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 11
Shutter Speed
1/500 sec
Focal Length
18.0 mm
ISO
400
Exposure Value
15.9 EV
Returning to the ruins of Wuchang Temple in late 2015.
Wuchang Temple 921 Memorial
Date Captured
Camera
NIKON D3100
Lens
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
Aperture
ƒ / 11
Shutter Speed
1/500 sec
Focal Length
20.0 mm
ISO
400
Exposure Value
15.9 EV
The wishing well and other objects were removed, and a new banner reads Jiji 921 Earthquake Memorial (集集九二一地震紀念館).

No visit to the quaint tourist town of Jiji is complete without at least a quick stop at Wuchang Temple. It is prominently marked on Google Maps so you should have no trouble finding it. Apart from the collapsed school on the site of the 921 Earthquake Museum this is probably the most dramatic reminder of a disaster that completely reshaped Taiwan.

Note: this post was previously published in 2014 but completely rewritten in 2019.

Footnotes

  1. It wasn’t immediately obvious what this was until I translated the Chinese (xǔyuànchí 許願池). Somewhat confusingly, this is also the name of the Fontana di Trevi in Rome. On subsequent visits this structure was relocated or removed—I’m not entirely sure where it ended up. ↩

  2. If you’re curious about what this temple looked like prior to completion, this post documents the situation in Chinese (with numerous photos, including several showing how much the beards of the gods have grown over the years). This post also features some photos from around the same time. For more great coverage of this ruin (in English this time), check out this post from Josh Ellis. ↩

  3. This was an ode to Rubber Duck, a public art installation by Florentijn Hofman, which arrived in Taiwan in late 2013. This set off a frenzy of interest that only began to wane by late 2014. ↩

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Details

  • Status:Public (公有)
  • Heritage designation:Historic Site (史蹟)
  • Coordinates:

Recorded On

Themes

Series: Nantou Road Trip 2015

This series features notes and photos from several days of riding around Nantou in late 2015. I set forth from Taichung, bound for a music festival, and ended up taking a number of interesting side trips to areas not commonly discussed on the English language web.

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Author

I am a web application developer, photojournalist, urban explorer, and history enthusiast passionate about the open web and documenting my experiences on this planet. This project was founded in the early 2010s and has evolved into a sort of personal Wikipedia of places that interest me (and often the photographs I’ve taken there). I’m originally from Toronto, Canada, but spend most of my time residing in Taiwan.

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