Spectral Codex

Toubiankeng Police Station is a remarkably well-preserved Japanese colonial era building situated in a small settlement in the foothills of eastern Taichung 台中, Taiwan. Originally established in 1914, the station was reconstructed to standard specifications with reinforced concrete, red brick, and local cypress, likely in the early 1930s. Not only was it a police station, but it also served as a dormitory for the officers stationed here, agents of a colonial authority keen to extend control into the rugged mountains to the east. After the ROC assumed control of Taiwan operations continued much as before, and was only decommissioned in 1981 when a new police station was built immediately out front.

Linnei 林內 is a small rural township located on the south side of the Zhuoshui River 濁水溪 in northeastern Yunlin 雲林, Taiwan. Despite its strategic position on the Western Trunk Line this township remains mostly pastoral and undeveloped, with little industrial activity compared to neighboring Douliu 斗六, the administrative seat of the county. Population in the township peaked at nearly 23,000 in the 1970s and has been declining ever since, recently falling below 18,000 as rural flight continues apace. Nowadays the local economy mostly revolves around agricultural products such as rice, bamboo, and tea, but Linnei was once a major center of tobacco cultivation, traces of which can be found scattered across the countryside.

The overgrown ruins of Kouhu Theater 口湖戲院 can be found along a dusty country road on the outskirts of Kouhu 口湖, a desolate town in coastal Yunlin 雲林, at the westernmost extent of the Taiwanese mainland. Its most distinct feature is the exposed red brick facade, which might be unique among those vintage theaters still standing in earthquake-prone Taiwan. Not much is written about this old theater online, possibly due to its obscure location in the remote countryside, but it dates back to the early 1950s and likely remained in operation into the early 1980s.

The former Jinjin Theater 金金大戲院 is located midway along a major thoroughfare connecting Yingge 鶯歌 with Taoyuan City 桃園市 in northern Taiwan. Technically it is still within New Taipei 新北 as the ragged border with Taoyuan 桃園 swings around the theater, less than 100 meters away at some points. This second-run cinema opened to the public in 1985, screening a diverse assortment of films for as many as 900 guests in this highly industrialized suburb. It went out of business sometime around 2005 and has been mostly left to the elements since then, although food vendors still ply their trade along the sidewalk in front of the theater entrance, and some attempt has been made to sell commercial advertising space on the facade.

Ruimao Theater 瑞茂戲院 is an old wooden theater hidden in the winding laneways of Guogou 過溝, a small fishing and farming village in remote coastal Chiayi 嘉義, Taiwan. Nobody seems to know exactly when this theater was established, although there is general agreement it likely dates back to the early post-war era. Remarkably, it was one of two theaters in this settlement, and one of maybe a dozen along this stretch of coast in the 1970s, when salt production and oyster farming buoyed the local economy. As with most other theaters of its vintage, this one closed sometime in the 1980s.

Zicheng Theater 自成大戲院 is a derelict cinema located in Baozhong, a rural township on the coastal plains of Yunlin 雲林, Taiwan. After opening in 1966 this theater drew enormous crowds from the surrounding districts, particularly in its early years of operation, when it was customary for movie stars to appear on stage to promote new films. Business began to decline with the closure of the nearby sugar factory and the widespread adoption of home television in the late 1970s, ultimately leading to the final screening sometime around 1985. Since then the theater has remained idle, slowly decaying with the passage of years, its fading fortunes mirroring those of the surrounding settlement.

This entry documents my final day of riding on a bicycle trip down the Huadong Valley in 2018. I began with a short yet eventful spin around Taitung City 台東市, the administrative capital of Taitung 台東, and headed southwest across the alluvial plains before curving back to catch a train bound for Taipei 台北 in the afternoon. I already introduced the history, geography, and culture of Taitung City in this post from a previous visit in 2015, so I’ll focus on specific sites I visited on this particular trip.

My fifth day of riding the Huadong Valley in 2018 began in Guanshan 關山 and ended in Taitung City 台東市, approximately 45 kilometers further south. Although there were several uphill segments this was one of the least demanding rides of the entire trip, partly because I had a good night’s rest, but also due to some cloud cover moderating the influence of the tropical sun. After rising I cycled over to Little Star Breakfast shop 小星星早餐店 to try their fluffy handmade danbing 蛋餅 (a crepe-like egg roll with various fillings). Feeling recharged, I set out to catalog more of eastern Taiwan’s historical relics and natural wonders.

Shigang Rice Barn 石岡穀倉, formally known as the Shigang Farmers’ Association Rice Milling Barn 石岡農會碾米穀倉, is one of the best preserved Japanese colonial era rice barns in Taiwan. Constructed with locally-sourced timber in 1941, it was designed to be earthquake-resistant, benefitting from hard lessons learned from the 1923 Great Kanto Earthquake and the 1935 Hsinchu-Taichung Earthquake. It was in use for many decades before modernization of rice milling made it obsolete, presumably sometime in the 1980s or 1990s, leaving the building derelict and threatened with demolition.

Jincheng Theater 金城戲院 is located in Mailiao 麥寮, a rural township in northwestern Yunlin 雲林, Taiwan. This theater is something of a cypher; it was reputedly built in 1965, but may have only opened in 1968, and business records record only one transaction in 1975. It probably closed in the late 1980s or very early 1990s, a casualty of changing consumer habits and population outflow to larger urban centers. Beyond that, not much is known about this hulking monster of a theater, which may have accommodated something like 800 patrons at its peak.