Green Bay is a forlorn stretch of sandy coastline in Wanli, a rural district of roughly 22,000 residents situated on the rugged northeastern coast of Taiwan. It is widely known for its many derelict resorts, most famously the so-called Wanli UFO Village (萬里飛碟屋), which is what initially drew me here in 2013. I returned a year later and noticed a dilapidated structure further along the beach, an unsightly institutional building similar in appearance to a Taiwanese police station of the 1980s. A closer inspection revealed an interior cluttered with intriguing artifacts and decaying documents—enough to conclusively identify this neglected ruin. This was formally known as the Yeliu Signal Station (野柳信號臺), an outpost responsible for monitoring maritime traffic in the shipping lanes and designated anchorages just west of the Port of Keelung.

Wǔchāng Temple 武昌宮 is one of many remnants of the devastating 921 Earthquake, which ripped through central Taiwan on September 21st, 1999, toppling tens of thousands of buildings and claiming nearly 2,500 lives. Located in the rural township of Jiji in Nantou, less than five kilometers from the epicenter of the magnitude 7 quake, this temple was destroyed mere months after it was completed. Rather than clear the debris, the damaged structure was left more or less as it was the morning after it collapsed, and a new temple with the same name was built in front. Nowadays this ruined temple is a popular roadside attraction and a prime example of disaster tourism in Taiwan.

Zhōngyāng Theater (中央戲院) is located in Guanmiao, a rural district in southern Tainan home to slightly less than 35,000 residents. The name is derived from a nearby street and simply means Central Theater. It was constructed in 1969, a few short years after an open-air movie theater began showing films on this plot of land just east of the biggest market in town. As with many Taiwanese cinemas of its vintage, it was in business until the late 1980s before winding down, another casualty of changing consumer habits, the collapse of local industry, and rural flight. This year marks the 50th anniversary of Zhongyang Theater, a milestone recently observed by Guanmiao Youth (關廟青), a group of local activists hoping to revitalize their hometown. They were successful in generating some some positive news coverage of the occasion, and now that this theater is in the news, I figure I may as well share my findings from several visits to the site over the last four years.

Taiwan Motor Transport Company 台灣汽車客運公司 (or simply Táiqì 台汽) was a state-owned enterprise founded in 1980, partly to take advantage of the newly-completed National Freeway 1 國道一號 running along the western coast of Taiwan from Keelung to Kaohsiung. Considerable investments were made into an extensive fleet of vehicles, more than two dozen bus stations, and a massive maintenance depot (previously documented on this blog). Despite enjoying a monopoly on long distance, intercity coach travel, the company struggled to remain profitable in its first decade of operations—and when the market was deregulated and opened to competition in the early 1990s, its fate was sealed. After incurring another decade of losses Taiqi was privatized in 2001 under the name Kuo-Kuang Motor Transport Company 國光汽車客運股份有限公司, which continues to operate today, albeit on a much smaller scale. One consequence of the downsizing that preceded privatization was the closure of the Changhua Bus Terminal in Changhua City, the administrative capital of Changhua. Today it remains derelict, a crumbling relic of the optimistic 1980s hidden in the laneways north of the central railway station.

Sānqīng Sānyuán Temple 三清三元宮 is an unusual attraction in Fuxing, immediately to the south of Lukang in Changhua, Taiwan. It was constructed over the course of nearly two decades by Huang Chi-Chun 黃奇春, a former soldier who moved here in the late 1970s. This otherwise modest structure is adorned with thousands of seashells, pieces of coral, and other oceanic oddments—which is why it is more commonly known as the Changhua Shell Temple 彰化貝殼廟.

Dōngxìng Theater (東興大戲院) is located in a small village in the outskirts of Taitung City, Taitung, at the southernmost extent of the Huadong Valley (花東縱谷). Not much is known about its history beyond whatever can be deduced by visiting the site, but it was almost certainly built in the late 1960s, around the same time as Jinxing Theater, located just down the street, and Zhonghua Theater in Guanshan, which has almost the same design. At some point it went out of business, probably in the 1980s, and was converted into a small rural hospital, a repurposing I’ve seen nowhere else in Taiwan.

Xiluo Theater (西螺大戲院) is perhaps the most widely-known of the many abandoned theaters of Taiwan. It is located just off the main commercial street running through Xiluo, a small city of approximately 46,000 residents on the south bank of the Zhuóshuǐ River (濁水溪), the traditional boundary dividing northern and southern Taiwan. Completed sometime between 1937 and 1940, this reinforced concrete and brick building replaced a wooden theater originally built in the 1920s. The new theater survived the war unscathed and flourished during the golden age of Taiwanese cinema in the 1950s and 60s. In those days the area surrounding the theater became known as Xiluo’s Xīméntīng (西門町), a name derived from Taipei’s popular entertainment district. Business declined sharply in the early 1980s and the theater was abandoned to the elements by 1988, a consequence of changing consumer habits, the rise of television and home video, and population outflow to larger cities. More recently it has become a popular site for photography, video production, urban exploration, and historical tourism.

Zhōnghuá Theater (中華大戲院) is an impressive KMT authoritarian era ruin in Guanshan, a small town of approximately 8,800 in the idyllic Huadong Valley of Taiwan. With seating for 1,200 patrons it was the largest theater in Taitung when it opened in 1965, and it soon earned the title “northern tyrant” (běibàtiān 北霸天) for dominating the cinema industry at this end of the county. What explains the existence of such a huge theater in this remote, sparsely populated place? As with the more modest and folksy Wǔzhōu Theater (五洲戲院) in neighbouring Chishang, a closer examination of regional socioeconomic history provides answers.

Shulin is a heavily industrialized district of approximately 185,000 residents on the southwestern periphery of Taipei. Until recently it was home to one of the most well-known large-scale ruins in the metropolitan area: the former Taiwan Motor Transport Maintenance Depot (台灣汽車客運公司機料廠), more generally known as the Shulin Factory. This abandonment was far from secret—it was regularly used for photo and video production, airsoft and paintball games, flying drones, practicing graffiti and street art, and the occasional underground techno party. It was so popular, in fact, that it attracted several con artists who impersonated security guards and the property owner to charge a fee for usage of the site, occasionally extorting large sums from more professional operations, which eventually led to their arrest. As for the history of the site itself, Tobias at Only Forward has published an extremely thorough account of this ruin, and I don’t have very much to add apart from my own original photos from two separate visits to the now-vanished site.

Xinyi is among the richest and most expensive parts of Taiwan—but it hasn’t always been this way. Decades ago it was sparsely settled and far more industrialized, particularly around Wúxìng Street (吳興街), where I lived for several years in the late 2010s. This part of the city was once anchored by an immense army maintenance depot previously mentioned in this post, but the entire complex was demolished in the early 2010s, replaced by parking lots, basketball courts, and wide open fields. The former depot was surrounded by several military villages, all of which were also dismantled apart from the grim concrete apartment blocks of Wúxìng New Village (吳興新村) and, somewhat further north, the restored and revitalized #44 South Village (四四南村) across from Taipei 101.

Until recently there was also a cluster of what were probably illegal houses on the southern periphery of the former army depot. Nestled into a tiny patch of land next to the mountains and jutting into the factory grounds, this community was demolished in early 2017, but not before I made several visits to document its disappearance. There is nothing particularly noteworthy or unusual about this small community—and indeed, I can find no information about it whatsoever. This post serves only to document a nameless, unremarkable place, one of thousands disappearing into memory all across Taiwan.