Zicheng Theater 自成大戲院 is a derelict cinema located in Baozhong, a rural township on the coastal plains of Yunlin 雲林, Taiwan. After opening in 1966 this theater drew enormous crowds from the surrounding districts, particularly in its early years of operation, when it was customary for movie stars to appear on stage to promote new films. Business began to decline with the closure of the nearby sugar factory and the widespread adoption of home television in the late 1970s, ultimately leading to the final screening sometime around 1985. Since then the theater has remained idle, slowly decaying with the passage of years, its fading fortunes mirroring those of the surrounding settlement.
Jianxin Theater 建新大戲院 is located in Yuanshulin 員樹林, a suburban area on the western outskirts of Daxi 大溪 in Taoyuan 桃園, Taiwan. Business records indicate an inception date of 1977, but not much is known about this theater apart from that. The last recorded transaction in 2000 sets an upper bound on when it was operating, but likely went out of business in the early 1990s, when most of the rest of Taiwan’s cinema industry collapsed. It now enjoys a second life as a parking garage for the nearby factories and residences.
Shigang Dam 石岡水壩 is a barrage dam on the lower reaches of the Dajia River 大甲溪 in Shigang 石岡, Taichung 台中, Taiwan. It was constructed between 1974 and 1977, not long after the completion of the Techi Dam 德基水壩, a far more ambitious hydroelectric project further upstream. Intended mainly for flood control and irrigation purposes, it was heavily damaged in the devastating 921 Earthquake of 1999 and later repaired. Despite its diminished capacity, Shigang Dam continues to serve an important function in regional water distribution across Taichung.
Jinxing Theater 金星大戲院 is located in the small town of Zhiben 知本 on the southern outskirts of Taitung City 台東市, Taitung 台東, in southeastern Taiwan. Zhiben is home to the Katipul group 卡地布部落 of the Puyuma people 卑南族, one of Taiwan’s recognized Indigenous groups, but this theater was constructed in 1967 to cater to the many KMT veterans who settled here after the completion of the Central Cross-Island Highway 中部橫貫公路. Named after Venus (literally “Golden Star” in Chinese), it went out of business shortly after it was sold to a lumber company in 1980 and has been abandoned ever since.
Zhonghua Theater 中華大戲院 is an impressive KMT authoritarian era ruin in Guanshan 關山, a small town of approximately 8,800 in the idyllic Huadong Valley 花東縱谷 of Taiwan. With seating for 1,200 patrons it was the largest theater in Taitung 台東 when it opened in 1965, and it soon earned the title “northern tyrant” (beibatian 北霸天) for dominating the cinema industry at this end of the county. What explains the existence of such a huge theater in this remote, sparsely populated place? As with the more modest and folksy Wuzhou Theater 五洲戲院 in neighbouring Chishang 池上, an examination of regional socioeconomic history provides answers.
Shulin is a heavily industrialized district of approximately 185,000 residents on the southwestern periphery of Taipei 台北. Until recently it was home to one of the most well-known large-scale ruins in the metropolitan area: the former Taiwan Motor Transport Maintenance Depot 台灣汽車客運公司機料廠, more generally known as the Shulin Factory. This abandonment was far from secret—it was regularly used for photo and video production, airsoft and paintball games, flying drones, practicing graffiti and street art, and the occasional underground techno party. It was so popular, in fact, that it attracted several con artists who impersonated security guards and the property owner to charge a fee for usage of the site, occasionally extorting large sums from more professional operations, which eventually led to their arrest. As for the history of the site itself, Tobias at Only Forward has published an extremely thorough account of this ruin, and I don’t have very much to add apart from my own original photos from two separate visits to the now-vanished site.
Dadu Plateau 大肚台地 (also known as Dadu Mountain 大肚山) is a geographic feature of great strategic importance to the defense of central Taiwan. It overlooks the Qingshui Coastal Plain 清水平原 and occupies high ground on the far edge of the Taichung Basin 台中盆地, home to the majority of the population of Taichung 台中, the third most populous metropolitan area in the nation. The entire length of the plateau is peppered with military facilities from the massive Ching Chuan Kang Air Base 空軍清泉崗基地 in the north to Chenggong Ridge 成功嶺 down south. In between one will find a number of abandoned or disused bunkers, gun towers, and blockhouses. This post focuses on seven anti-airborne fortifications located in the central part of the plateau starting with the #7 Anti-Airborne Fort 七號反空降堡, my introduction to this cluster of ruins.
Jiahe New Village 嘉禾新村 is one of more than 800 military dependents’ villages (Chinese: juancun 眷村) built in Taiwan in the late 1940s and 1950s to provide provisional housing for KMT soldiers and their families fleeing from the Chinese Civil War. Around two million people crossed the Taiwan Strait from China from 1945 to 1949, bolstering an existing population of approximately seven million. More than 600,000 of these Chinese immigrants ended up in military villages like this one in Zhongzheng District 中正區, Taipei 台北, which was forcibly abandoned only a couple of years ago as part of a wave of urban renewal projects sweeping the nation.
Gathered here are several photographs from a brief walk around 1933 Shanghai (上海1933老场坊), an unusual slaughterhouse in Hongkou, part of the former Shanghai International Settlement. Designed by a British architect in an arguably Art Deco style and built with imported cement in 1933, it was recently renovated and transformed into a hub for the creative industries. Seeing as how this is Shanghai 上海, several high-quality English language articles have already been published about it, so I will hereby refer you to Atlas Obscura, Shanghai Art Deco, Mas Context, Randomwire, and La Casa Park for more information and informed analysis.