Yùqú Temple (玉渠宮) is a colourful temple in the back alleys of Lukang, one of the oldest and most traditional cities in Taiwan. Tracing its origins back to a simple shrine built in 1765, this small temple venerates Marshal Tian Du (田都元帥), the god of drama—and by extension traditional opera, theater, music, and other forms of performance art. Local gentry funded the construction of the first temple on this particular site in the twilight of Lukang’s commercial importance in 1902, during the Japanese colonial era. The temple underwent major renovations in 1967 and, in typical Taiwanese style, has been regularly improved and updated over the years.

Dàodōng Academy (道東書院) is one of many Qing dynasty era academies scattered across central and southern Taiwan. Located in Hemei in Changhua, it was built in 1857, the 7th year of the Xianfeng Emperor (清咸豐七年), and operated as a private school devoted to classic Chinese literature, philosophy, and ethics, among other subjects. Commonly known to locals as Wénmiào (文廟, “Temple of Literature”), the academy also venerates Song dynasty scholar Zhū Xī (朱熹) and Kuí Xīng (奎星), the god of examinations.

A bizarre work of public art in the bowels of Taipei Station.

This striking installation is one of the more iconic and well-known works of public art in Taipei. Created by artists Hé Cǎiróu 何采柔 and Guō Wéntài (郭文泰) in 2009, it is entitled The World in Aves’ Eyes (愛維思看世界), Birdperson (鳥人), or Daydreams (夢遊) and can be found somewhere in the labyrinthine passageways beneath Taipei Railway Station (臺北火車站). Apart from the obvious, the immature, androgynous figure holds a pencil in its right hand (never to write a word), water continuously seeps from its neck, and its feet show the signs of a mild case of pigeon toe, a condition that should be familiar to anyone who has seen young Taiwanese posing for photographs. Here is the original creative statement that accompanies the piece:

「愛維思看世界」以稚嫩的身體、怪誕逗趣的鳥頭以及輕輕淺淺的流水，表現出E世代對世界的困惑，身體的稚嫩感彷彿要告訴世界，還不急著要長大，而側著的鳥頭以不成比例的尺寸，誇張的標明著自我的異化感，猶如一位誤闖地球的外星人，在幽浮般的蛋殼中孵化而出。愛維思（Aves）搖搖晃晃的嘗試著適應這難以理解的世界，那漾漾清水則是一般腦傾洩而出的困惑，沒有黑暗、邪惡、憂傷或者種種成人世界裡的光怪色彩，愛維思（Aves）的苦惱是屬於孩童一般的天真困惑，在陽光的照耀下甚至會散射出七彩的光暈、迷霧而迷人。

My ability to translate Chinese remains limited, particularly when it comes to the sort of conceptual language employed above, but I’ll do my best to provide the gist. From what I can tell…

Curated by Nicolas Bourriaud, the Taipei Biennial 2014 was held at the Taipei Fine Arts Museum (臺北市立美術館) in Zhongshan from September into the early part of the new year. The theme is “art in the age of the anthropocene”, the current geophysical epoch defined by humankind’s enormous impact on the natural world. From the curator’s notes: this exhibition is organized around the cohabitation of human consciousness with swarming animals, data processing, the rapid growth of plants and the slow movements of matter. I am no serious critic but I certainly appreciate thought-provoking art when I see it. Since I haven’t any expertise in this area I’m mostly going to let the photos speak for themselves, however incomprehensible that might be. Much like the Xu Bing retrospective it was an inspiring experience so I’d like to have a record of it here on my blog.

Zhōngyuán Theater 中源大戲院 is a second-run theater located in the heart of Zhongyuan Night Market 中原夜市 in Zhongli, Taiwan. Zhongyuan Theater is ideally located next to the university of the same name amidst a huge population of budget-conscious students—which may explain why it remains in business unlike hundreds of other old theaters that have fallen into ruin in recent years, victims of changing consumer habits and strong competition from more modern multiplexes. Zhongyuan is also one of the very last theaters in the nation where you will find hand-painted movie posters hanging outside, a nostalgic practice more widely associated with Chin Men Theater 全美戲院 down in Tainan.

The Shuili Snake Kiln 水里蛇窯 is a wood-fired pottery kiln on the outskirts of Shuili, Nantou. The name is derived from the kiln’s serpentine shape, though to my eyes it looks more like a slug than a snake. Founded in 1927 by master potter Lín Jiāngsōng 林江松, it remained a family business for generations before being opened to the public as a “ceramics park” in 1993.

It is hard not to notice the giant freaking eyeball and neon orange head hanging out at the side of the road leading up Hōnglúsāi Mountain 烘爐塞山 at the southern edge of Zhonghe, Taiwan. After taking in the scene I jokingly came up with a new slogan for the tourist bureau; “Taiwan: don’t ask why!” But of course that’s not really my style—I always like getting to the bottom of the seemingly inexplicable things I encounter in my travels here.

Taiwan loves Totoro, the iconic star of Miyazaki’s animated classic My Neighbor Totoro. Known locally to Chinese speakers as Duōduōlóng 多多龍 (or 豆豆龍) and—my favourite—Lóngmāo 龍貓 (literally “dragon cat”), Totoro recently appeared on the streets of Taichung alongside Chibi and Chu Totoro, numerous makkuro kurosuke (soot sprites) and No-Face (who appeared in Spirited Away). These life-sized, fan-made sculptures have drawn so much interest that the site even appears on Google Maps as Dàlǐ Totoro Bus Stop 大里龍貓公車站.

Part of a mural by Taiwanese artist Liu Tsungjung 劉宗榮 in Dapu village.

Last night I went to Dapu Village in Zhunan, the northernmost township in Miaoli, for a concert and movie screening commemorating the treacherous demolition of four homes last year. The event took place on the former site of Chang Pharmacy, whose owner, Chang Sen-wen (張森文), was later found dead in a drainage ditch in an apparent suicide. This occurred not long after the government razed his home and business to the ground with all his possessions still inside. In a cruel twist of fate the Chang family was served a bill for demolition equalling the financial compensation offered by the government—leaving them with absolutely nothing. Eminent domain may serve the public interest in special circumstances—but this was outright robbery by the state.

The Dapu incident1, in brief: Miaoli magistrate Liú Zhènghóng (劉政鴻, pictured above, at left) ordered the expropriation of 156 hectares of land in Dapu Village in 2009, ostensibly to build a new…

The Asia Museum of Modern Art 亞洲現代美術館 (official site in Chinese) is a strange thing to find amid the rural-industrial sprawl of southern Taichung. Located on the outskirts of historic Wufeng, it is part of the much larger Asia University 亞洲大學 campus, itself riddled with European-inspired architectural curiosities like a gymnasium designed to look like the Colosseum of Rome. The art gallery, straying from the kitsch theme of the rest of the university, is an original design by renowned Japanese architect Tadao Ando. It took nearly seven years to build and opened in 2013.