Grace Hill 麗庭莊園 (pinyin: Liting Zhuangyuan) is a former wedding venue situated in an industrial park in Neihu District 內湖區, Taipei 台北. It opened in 2005 under the management of the Zhangxing Wedding Company 長興婚禮事業有限公司, an outfit keen to disrupt the local market with a larger, more extravagant space for weddings and other events. The business struggled at first but became more widely known after it was featured in television series, music videos, and the news. In 2007 the space was leased to Dears Brain 迪詩, a Japanese wedding company hoping to enter the Taiwanese luxury wedding market. The original owners took a step back, ceding control of day-to-day operations to Japanese management, and the business continued to grow over the next several years.
Dahua Theater 大華戲院 is an early post-war movie theater in the grim northern port town of Keelung City 基隆市, Taiwan. It was in business as early as 1949 and officially registered by 1952. Beyond that, little trace of it can be found online. Until recently I assumed this theater had been demolished, just like every other vintage standalone in downtown Keelung, one of the most densely-packed urban environments in the nation. Acting on a tip that a signboard was still in place I went to scope it out one afternoon in 2018—and was completely surprised to find the theater still standing, albeit in an extremely dilapidated condition.
Tuberculosis remains the deadliest communicable disease in Taiwan, claiming approximately 600 lives per year, but great strides have been made in reducing its toll throughout the 20th century. Nearly 5% of the population were afflicted by the disease in the late 1940s—and with an annual mortality rate of 3 in 1,000, it was also among the leading causes of death of any kind in post-war Taiwan. The disease was especially prevalent among the Taiwanese Indigenous people of the remote mountainous interior, who simply couldn’t afford to see a doctor or purchase medicine (even if there were a clinic anywhere nearby).
Christian missionary organizations went to great lengths to expand access to medical services in the late 1950s, founding numerous clinics and sanatoriums in Indigenous territory all across Taiwan. In 1957 this particular tuberculosis sanatorium was constructed next to a secluded lake on the outskirts of Puli 埔里, Nantou 南投, to provide free treatment and relief for people of the mountains. The next several decades saw great advances in healthcare in Taiwan and the sanatorium closed in 1980, its purpose fulfilled. It reopened as a Presbyterian retreat center and campground in the late 1980s and was ultimately abandoned to the elements sometime in recent years.
Wuzhou Theater 五洲戲院 is the last remnant of cinema in Chishang 池上, Taitung 台東, a picturesque town located in the fertile Huadong Valley 花東縱谷 of Taiwan. Built in 1965 in the midst of the Taiwan Economic Miracle, it remained in business until 1982. After the final screening the theater was neglected for decades, falling into disrepair but remaining more or less intact until recently. More recently Chishang emerged as a tourist destination, spurning a local community development association to invest in revitalizing the theater in 2013.
Xiluo 西螺 is a small historic town in rural Yunlin 雲林, Taiwan. Despite its diminutive size Xiluo was once home to three standalone movie theaters: the eponymous Xiluo Theater 西螺戲院, Yisheng Theater 一生戲院, and Yuandong Theater 遠東戲院 (literally “Far East Theater”), the subject of this brief report. Previously I misidentified Yisheng Theater as Yuandong, something I only realized after visiting a photo exhibition at Huashan 1914 Creative Park in 2017. After realizing my mistake I went to some lengths to locate and later visit this theater—which, in hindsight, I’ve passed on several occasions without noticing it down a small side street.
The ruins of the former Lingxiao Temple 凌霄殿 can be found in the foothills of the Central Mountain Range 中央山脈 in Puli 埔里, Nantou 南投. Likely named after the Chinese trumpet creeper, Campsis grandiflora (中文), it was founded in 1983 by local philanthropist Chen Chou 陳綢, famous across Taiwan for her charity work. The temple is quite remote, more than 10 kilometers down an old forestry road with no other exit, perched on the hillside at an elevation of 1,300 meters (for reference, the Puli Basin 埔里盆地 is around 500 meters above sea level).
Located on the outskirts of Zhushan 竹山, Kezikeng New Community 柯子坑新社區 is one of several public housing projects constructed in the aftermath of the 921 Earthquake that devastated central Taiwan in 1999. Despite providing much-needed relief for those who lost their homes in the disaster there were few buyers—and today the complex remains mostly empty and disused. Built with government funds, this poorly-conceived housing project has become yet another example of what Taiwanese call mosquito halls, a term popularized by artist Yao Jui-chung 姚瑞中 and a team of student researchers known as Lost Society Document. Since 2010 they have published six volumes of Mirage, a series of works identifying more than 800 disused public properties all around the country. Some of their work was translated into English—which is how I found out about this particular locale, which I briefly visited in the summer of 2017.
Guobin Commercial Building 國賓商業大樓 is an ugly ruin in the heart of Zhongli 中壢, a city of around half a million people in Taoyuan 桃園, Taiwan. Built at the dawn of the booming 1980s, it was home to a variety of entertainment businesses over the years, and appears to have been mostly abandoned sometime around the turn of the millennium. Much to my surprise I’ve not found much about this place online, which suggests whatever newsworthy calamities befell this derelict commercial building predate the era of digital journalism. Without any sources to draw upon I can only make some educated guesses about what I captured during a brief visit in the early days of 2017.
What remains of Xinxing Theater 新興戲院 can be found just east of the train station in Dalin 大林, a modest town of approximately 30,000 just north of Chiayi City 嘉義市 in Taiwan. Despite its relatively small size Dalin once supported five movie theaters, providing entertainment for sugar factory workers and the many soldiers stationed at nearby military bases. Xinxing Theater (not to be confused with the one in Xinpu) originally opened as Renshan Theater 仁山戲院 in 1954 and remained in business until 1992. Eventually the theater was renovated and subdivided into a billiards hall and KTV (also known as a karaoke box) before it was finally abandoned sometime around 2013. Recently there was talk of buying the property and transforming it into a creative market but its ultimate fate remained unknown until it was finally demolished in 2019.
The corpses of a thousand factories lay strewn across the plains of central and south Taiwan, stark reminders of an extraordinary period of economic growth in the latter half of the 20th century. Those located in more rural areas are readily forgotten and may remain derelict for years to come—but the more prosperous districts are busily excising these unsightly engines of economic growth from their urban landscapes. Progress is inconsistent, however, and it isn’t at all unusual to chance upon the hulking ruins of inner city factories that have yet to disappear. One such factory is the Yicheng Cannery 義成罐頭工廠, an impressive complex hemmed in on all sides by residences in a network of winding alleyways not far from the train station in Yuanlin 員林, the second-largest city in Changhua 彰化. No doubt this ugly eyesore will be demolished sometime in the near future—but in the meantime it has become a shadow world for local youth and curious outsiders such as myself.